The whole thing could have been made more effective by better casting of certain parts, however, the company, which started with a nervous over-emphasis and clouted us over their heads with their lines, steadied by half-time and the second act was very much more persuasive than the first.' National tour by Saunders Īfter closing in the West End it was picked up later that year by Peter Saunders for a national tour as he was desperate to recoup his losses from a failed staging of Sir Arthur Conan Doyle's 1913 book, The Poison Belt. Ivor Brown, reviewing the play in the 18 December 1949 issue of The Observer said, 'Barbara Mullen is excellent as that sharp-eyed Prodnose Miss Marple, along with that of Reginald Tate as the questionable painter and of Jack Lambert as the nice, dull, dutiful vicar, gives West End quality to a production otherwise on a less exalted level. Despite these comments, the actors and the direction were both praised. The unnamed reviewer complained of the 'walking ciphers of the vicarage' and 'the rather thin theatrical excitement of first one, then another confession, both of which possibly cancel each other'. It is not until the final scene - the pressure of events then forcing two of the characters into melodramatic life - that we become aware that there was, after all, an effective one-act play in Miss Christie's novel'. Nobody, unhappily, has any good stage reason for living. In its issue of 15 December 1949, The Times gave an unenthusiastic review which began, 'Everyone has a motive for killing. The play enjoyed a run of 126 performances, closing on 1 April 1950.

The director was Reginald Tate who also played the part of Lawrence Redding. The play was the first time that the character of Miss Marple had been depicted outside the original books and she was portrayed by Barbara Mullen. It was first performed at the New Theatre, Northampton on 17 October 1949 prior to moving to the Playhouse Theatre in the West End where it opened on 16 December 1949. This play, staged in 1949–1950, was the first time that the character Miss Marple was portrayed outside the novels and short stories. Whatever the truth of the authorship, Christie was enthusiastic about the play and attended its rehearsals and first night. Christie's official biography suggests that the play was written by Christie with changes then made by Charles and Toy, presumably enough for them to claim the credit. Murder at the Vicarage is a 1949 play by Moie Charles and Barbara Toy based on the 1930 novel of the same name by Agatha Christie. The Murder at the Vicarage by Agatha Christie

Marple murder at the vicarage